When your song is written and yourtracks are recorded, do you want to hand it off to a stranger? If you’re like many artists, you want creative control until the recording is mixed and finished. Suddenly, you’re not a musician anymore - you’re trying to understandEQ, multiband compressors, stereo wideningand so on. Mixing your own tracks canbe overwhelming anddiscouraging. Often the manuals are hard to read and the explanations are mathematical, instead of musical. Making a great mix requires 2 coreskills - learning howand why to use EQ and Compression. This course will explain how these powerful tools work and allow students to look over an engineer’s shoulder as a raw collection of tracks is transformed into a cohesive and compelling final mix! Mix and remix using downloadable projects and audio files (stems)Keep it simple by focusing on EQ and CompressionDiscover how when and why to use automation. in 2 modesMake It About the Music. All Digital Audio Workstations (DAWs) contain an overwhelming collection of plugins and instruments, these days. Which ones do you need? Not only will this coursehelp you create a shortlist of the most useful plugins, but you’ll also get a headstartwithdownloadable presets for theplugins you need most. This course is designed to make the processing of mixing your track feel more like music and less like engineering. You’ll learnhowEQand frequency spectrum monitoring work together to help you make the rightmusical choices for each track in your mix - visually. Also, you’ll learn what to listen forwhen using a compressor. With these skills, you’ll be able to stay focused on your music without having to compromise on a half-baked final mix. Content and Overview: This course has cherry-picked the best features from Cubase, including pitch-correction with VariAudio, reusable FX chains and automation. You can get up and running with the most valuable mixingtools and benefit from watching them beingused in a real world mixing situation. Plus, you’ll discover that Cubase offers more flexibility than many peoplerealize. Find out how to widen your stereo mix by creatively using FX channels to setup a powerful Mid-Side bus. Then, watch aswe apply different FX to different spatial elements in your mix! In the first major section of the course, we’ll cover the individual features and controls that you’ll want to use for every mix you ever do. You’ll also develop a well-rounded understanding of topics related to Cubase (andall DAWs, really). We’ll cover everything from licensing and64-bit plugins to master channel FX and optimizing your project for a better organized workflow. The course continues with 2 sections about mixing drums and instruments. Each instrument and drum will get its own dedicated lesson, so that you can see how they differ and how each instrument needsunique consideration in your mix. The range of tracks in our multitrack collection offers a huge variety of challenges. For example, you’ll see how and why an 808 drum sometimes needs a longer attack, while the frequency rich content in an FM synth pad can be sculpted to play well with others. Mixing individual HH, Snare, Kick and PercussionBlending organic-sounding Fender Rhodes with a brashFM synthLearn how to record a vocal, pitch-correct it and even create a 3-part harmony! Rough Mix vs. Final Mix: Professional mixing engineers often divide their workflow into 2 distinct phases: a rough mix and a final mix. This course will teach you an optimized workflow, starting with simple fader mixing, thenleveraging automation, panning and side-chain compression tricksto create a robust and professional rough mix. Discover how mixing in mono can help diagnose mix flaws and even add creative edits - like automating a delay to create a stutter/echo effect on the last musicalnote of the outro. Many dedicated musicians have created a decent rough mix - after weeks of struggle, dozens of web searches and thumbing through incomprehensible audio engineering books and manuals. But, the professionals have some tricks up their sleeve that usually make the audible difference between a home studio mix and a pro “final” mix. In the last mixing section of this course, students will walkthrough setting up Mid-Side processing using Cubase’s built-in audiorouting features. Students will also get a chance to see how and why a multiband compressor can be used to elevate and enrich anymix (although it is best applied to a completed “rough” mix). Finally, we’ll cover export options and important considerations for preparing your final mix file for hand-off to a mastering engineer. Maintain creative control over your musicLearn the ART of mixing, not just the scienceDevelop good habits, understand the pitfallsUse hotkeys and optimize workflowGet the most out of your computer with CPU optimization tips
